Excerpts of the interview below, read the full interview here.
Doorways are good. I like alcove spaces.
GB: A frame?
ET: A frame and a little privacy for doing something, and
maybe you don’t notice the piece right away. I don’t
know how other people choose their spaces. I certainly
don’t go hunt for them in relation to a piece. Once I get
a piece, I ride around and it’s usually a gut feeling,
this piece just feels right in this area.
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Elbow Toe in DUMBO. Brooklyn, NYC.
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Her Beautiful Hands - Red Hook, Brooklyn
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I find a lot of theater directors inspiring. And dancers like Pina Bausch (images), her gestures, she takes a whole moment and compresses it into this one space.
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I like to draw a lot more than I like to carve the wood. But when it’s all carved out and you have the charcoal against the wood it’s so beautiful. The charcoal has so much more
variation, the ink makes it flat, your line quality is the only thing. I like the charcoal better now. I like to constantly be playing with the image and pushing it around.
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GB: Name some artists whose work excites you.
ET: A lot of them are older…dead… Chaim Soutine, he’s
a Jewish Lithuanian artist, De Kooning and Bacon looked at
him, he for some reason decided that you could take a
figure and twist it and turn it.
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Read the Whole Interview
[elbowtoe]