Conflux is the annual New York festival for contemporary psychogeography, the investigation of everyday urban life through emerging artistic, technological and social practice. At Conflux, visual and sound artists, writers, urban adventurers and the public gather for four days to explore their urban environment.
The opening theme of Italian television’s “Studio Uno” (1961), the black-tights version, not the first episode’s scandalous opening featuring the naked legs of the lovely German twins Alice and Ellen Kessler. This dance routine apparently fed the fantasies of a generation of Italian men. The choreographer was Don Lurio, an American, also known for tap-dancing while rhythmically tearing newspapers. The twins were still doing the dance in 1990.
Your goal is not to bring some troops home, maybe, if we let you have your way now. Your goal is not to set the stage for eventual withdrawal. You are, to use your own disrespectful, tone-deaf word, playing at getting the next Republican nominee to agree to jump into this bottomless pit with you, and take us with him, as we stay in Iraq for another year, and another, and another, and anon. Full Text
In a town hall meeting in Bloomsburg, Pa. this week, Rep. Paul Kanjorski, a 12-term congressman, said that shortly before Congress was scheduled to vote on authorizing military force against Iraq, top officials of the CIA showed select members of Congress three photographs it alleged were Iraqi Unmanned Aerial Vehicles (UAVs), better known as drones. Kanjorski said he was told that the drones were capable of carrying nuclear, biological, or chemical agents, and could strike 1,000 miles inland of east coast or west coast cities.
Kanjorski said he and four or five other congressmen in the room were told UAVs could be on freighters headed to the U.S. Both secretary of state Condoleezza Rice and President Bush wandered into and out of the briefing room…
…Until he saw the pictures, Kanjorski said, “I hadn’t thought that Iraq was a threat.” That second meeting changed everything. After he left that meeting, said Kanjorski, he was willing to give the President the authorization he wanted since the drones “represented an imminent danger.”
Several years later, Kanjorski said he learned that the pictures were “a god-damned lie,” apparently taken by CIA photographers in the desert in the southwest of the U.S.